There could be just one type your system is already very interesting or more than one. I see the basis of a rational magic system there, and you have good limits. And I don't mean only practical magic as a modern Druid, I mean magic of every kind, real or imagined. Our Plane falls on the 3rd Dimension, being far away from perceiving the World. With that said, I wonder why no one has replied to my previous comment on this article. That was confusing enough that I have difficulty figuring out what the posts premise is, but I THINK Disney Magic would be a better example. An explanation for the seasons has its roots here as well. Could perhaps some or all of them be elements alongside the classic four? Its the same with a story. Though there is an international standard for magic spells, certain cultures practice magic in different ways pertaining to either their culture, beliefs or lifestyles. If youre at a loss, take a page from Brandon Sandersons Mistborn series. Magic isn't real, so it can be anything we want. We have a knowledge of these beings, many of them exist in our mythology as gods, angels, demons, etc. Moreover, there are clearly references about people performing experimental magic that can have deadly consequences, for example Luna Lovegoods mother dies from experimenting with magic and there are parts of the Ministry of Magic that regulate magic and how it is performed. Weft threads are what complete the fabric, what is woven through the warp to add the unique characteristics of the fabric (e. g., a 3/1 twill for denim or a satin weave for silk). Though this is all tentative, Id probably categorize it into two types: warp threads (like the structural threads you mentioned) for physical spells and weft threads for nonphysical spells. Willpower is ultimately the deciding factor between to evenly matched opponents. If youd like additional guidance as you build your storys magic system and other facets of your fictional world, then be sure to check out World-Building Warrior, a workbook that will walk you through the world-building process step by step. And the thing that makes up all of the energy is spiritual Vibrations. There are 7 types of energy that all link with one another (the first two I made up as a pseudo science which explains the workings of Life & Sentience in a pre-modern scientific age), Sentience Or some other options?.. But that doesn't mean all magic systems work equally well for stories. So the way the world works is that this physical world we see and interact with is one of an infinite number, which exists on one of the 12 Planes of Existence. Wizards arent included in this; as far as we know, you cant just simmer a wizard in a pot for a few days and end up with a magic potion. This sounds intriguingly cool, although if youre designing it for use in a computer game, might I ask how are you handling the problem that (I would imagine) youd have to assign EVERY object/environ in your game world a energy attribute/variable, dictating how much player the Player can draw upon, and what happens when the Player hits that limit? Spell lists ala D&D can be fun, but spell creation in a limited system can be very flavorful. So, for instance, lets say you decide water spirits are more powerful than plant spirits because their aspect is more basic and elemental, whereas plants are more complex organisms that feed off of water. They're overall stregenth of that ability is average. Theres nothing wrong with using classic tropes, but if you want to stand out in the crowded world of fantasy, youll need to learn how to use them in an innovative and unique way. If Luke needs to suddenly call out for help while hes hanging below a floating city, he can make contact with Leia (without their relationship already being an item). this is all super helpful! If there are important mines in your world, for example, it might make sense for magic to come from metals. EASTERN THUNDERER, based off of Eastern dragons in design, likely chance of getting weak to strong Shocker magic, rare-ish to moderate chance of getting magic of another Type as well, Learns magic a bit more slowly than other races. This same punishment theory may explain why humans are killed for trying to harness and redistribute sunlight. So if stuff suddenly falls up, we know something is wrong. Wind, or life, or just movement? Seventh Sanctum - Magitech Generator Some consider it Her gift, a compensation for taking back the light they harnessed. As the reader, you may never truly understand what can and cant be accomplished with magic, but thats okayyou dont feel you need to in order to enjoy the story. If youre working with leylines and the fabric of reality you should model the whole earth as a living thing(as it is)but not necessarily conscious, although that could add tension and the leylines and threads could be like vains in an interconnected system that gets clogged from the knots relating to all manner of natural and unnatural disasters/phenomenon and just like any living thing this system would naturally resemble a circulatory/lymphatic system with currents and nodes to regulate and cleanse said currents. I think, some of the gods will be more random and chaotic than others. If youre still reading, thanks for letting me ramble. None of those energies could be stored by characters themselves, so they can only use energies from environment. As you can see there's a lot to explore, but if you're looking for names you're at the right place. But you can use pretty much anything you wish, whether it's a magic absorbing rock, special water or perhaps a type of wood. If travelling to the tower of the Dark Mage takes three weeks on horseback, there should be a good reason if you tell the reader the way back only took a couple of hours. Thank you Cay, for making me think more about what i want my theme to be. However, we can only identify that its missing because the system is logically consistent as a whole, even if it isnt perfect in every depiction. Magicians are taught to learn about the natural forces within magic if they want to better control them. Absorb Project Summon Dispel Protect Destroy Restore. PEELED him? SO, strangely inspired by a Looney Tunes skit, staring Daffy Duck (https://www.youtube.com/watch?v=Xi_hcwB8i64 ), I came up with a system of Runes that could be strung together to create different spell effects that way, through their understanding of the Runes (and the underlying mechanics, which was NOT immediately revealed to the Player), Players could effectively reverse engineer opponent spells, Counter-spell and undertake other such wizardly endeavors. (I wont deal with it here and now, as this reply is getting too long already and you never mentioned it in your comment). ), Im just really curious to know more about your magic! How to Create a Magic System in Six Simple Steps Technically, you could link influencing the elements (moving earth to create a wall for instance) to the way Avatar handles it. Their powers go far beyond what has ever been shown before and theres no repercussions for them. Extreme focus is needed for complicated attacks That means Rowling doesnt have any guidelines to keep her from contradicting something shes already invented or from creating a spell that makes the plot pointless. Also I thought about it and further developed it. Your storys magic system may fall somewhere between these two extremes, and thats perfectly fine so long as you understand the role that magic serves within your story. So then, my idea was that even though minds were separate from bodies, they were normally closely tied so they could interact, which was why telepathy and telekinesis had things such as limits based on physical distance. If you don't combine spells you'll have 2 (or more) people fighting together, but not as one being. actuallydragon glass is NOT made from dragon fireits just some rock that forms naturally: obsidian. Its implied humans discovered the thread and abandoned technology altogether, becoming more and more dependent on magic over the next few hundred years. ), revising, scrapping, re-revising, Because I never seem to do anything by halves, my original idea for my book has spiraled out of control into a series, set in a Sanderson-esque system of loosely connected worlds. will you include other living beings that conduct photosynthesis like phytoplankton or algae? Here are more ideas for them. For example, a character could bind own mind blob to a fire blob and basically then he will control those fire, while his body will unconscious. But it feels as if it all fits together, not least because Tolkien himself had a clear notion of what was going on. If you fail to understand the role that . This is a pretty nice article, and it has inspired me to think more about the magic systems I create. When youre brainstorming magical costs, try to be creative. Is it dark and scary? Nevertheless, you will always introduce something which, as far as we know, does not exist in reality. Fantasy name generators. Names for all your fantasy characters. Specific effects include communicating with others, working together as a group, and riding inside the minds of others. Because minds were immaterial, physical brain damage wouldnt really affect thoughts, personality, and so on, instead mostly things such as the ability to move and regulate basic bodily functions. Really sorry about the length but Im really happy with this magic system and am wondering what other people might think of it- and the people here seem like they know what theyre talking about and are enthusiastic to hear more. The villain in S3 of A:LoK achieves it. Sanderson recognized that the hard magic system is a fashion, just like soft magic was before and this article doesnt acknowledge this. If youll allow my humble but informed opinion. For telepathy and telekinesis, you mention sources of energy. If one person grows wings and another teleports, your system will feel arbitrary. However, it had similar things to our universe, stars and planets and lifeforms that could look somewhat like ours, so it needed to follow most of them, at least, the ones that allowed for these things. Human variation in magical ability is determined by how much excess soul they have, after running all of their brain activity. Old magics can occur without any intent. You can get away with a strange assortment if you have mechanics that explain it. If you want to go with something necromantic (as spectre and ghoul suggest), you might be able to find something more fitting in that area. For Light and Darkness, Shade will be their name. The primary purpose of a soft magic system is to contribute to the atmosphere of your story. In your case, how exactly the will affects something: The old magic is, of course, pretty coincidental, and used in specific ways that drive the plot. You can find that kind of magic partially in a system like Magic The Gathering (which has earth, fire, and air I think its been a while). Magic wielders might be shunned for being different, perhaps even dangerous, or they could be praised for their abilities. For instance, lets say magic is powered by a substance found within the soil. In this case, rational, soft, and hard come from Brandon Sanderson. All of nature is in motion and all of natures motion serves to restore its own balance. Telekinesis and teleportation require an explanation as to how you direct your power outside of the body. Magic source description generator - Fantasy name generators Been developing a magic system for a story of mine thats in its early development stages. But the curse also leaves behind a power that is unique for the person. The thing is, I believe that what seems natural in these cases can depend on culture and perhaps even species. Stoking fires sounds like a natural fit. And theres nothing less exciting than a story where the protagonists can escape from any danger just by wishing it away. I've kept the descriptions short in order to mimic descriptions you'd often find in games and other franchises. Each time Harry, Ron, and Hermione find themselves in danger, they can only escape that danger using magic that weve already seen them learn. A single push, that turned out to be a shove, pushed the still air into a rising gust of air. The mandrake has been considered magical, because its roots do look vaguely like a human being. Hard magic systems feature a strict set of parameters explained within the story to ensure that readers understand what characters fantastical powers can and cannot do. Learn the most recent fiction marketing tactics, Amazon algorithm deep-dive, with case studies, & more. The spellbook kind of magic is more of a preference, like if they dont want to be apart if any of the fighting and just rather hang back. They instead study the laws of nature and learn to manipulate them. For example, your magic is powered by emotions, which also means that your emotions, if they dont get a new power source (more emotion), will disappear over time. Really Smart that would make a great power for the Apaths. So eventually, after a little Silly Putty work with words and concepts, I wound up with a magic system where believing something was considered a form of observing it with your mind in the state that you want to be so; that all that I read in the quantum physics book was true and intermeshed perfectly with the various descriptions of magic as being any system where a strong mind or majority of minds is able to influence reality through the strength of its being perfectly itself (e.g. Project | Fire | Destroy | Item I know some of the basics for the magic in my world but have been having a hard time making them cohesive. Characters ability to control/convert each type of energy goes from some skills which could be improved and basically limited by amount of energy which the character can control at any single spell. Mistings have to ingest and burn these metals in order to use their powers. mental enhancements, the nanites acting as auxiliary brains. Worldbuilding in a Novel: A Guide to Creating A Believable World Readers know little, if anything, about the nature, origin, or limitations of the characters fantastical powers. Are there magical societies or a hierarchy of magic users? Both the caster and Given are in prisoned if police find out, but the caster is normally in for 10-30 years.
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